NAME :- VALA
JYOTSNA TANSHUKHBHAI
SEMESTER :- 1(ONE)
ROLL NO. :- 42
TOPIC :- THE
ANTI-SENTIMENTAL COMEDY
WORK :-
ASSIGNMENT
PAPER :- 2 (two).
SUBMITTED BY :-
Smt. S.B.Gardi Maharaja Krishnakumar
Sinhji, Bhavnagar Uni. Dep. Of Eng.
The
Anti-Sentimental Comedy
"she
stoops to conquer" As an Anti-sentimental Comedy
Introduction:-
"she
stoops to conquer or The mistakes of a Night was written by oliver Goldsmith.
He Is famous for his two anti-sentiment comedy.
[1]
Good natured man.
[2]
she stoopd to conquer.
To
know how she stoops to conquer is an anti-sentiment comedy. we must know what
is sentimental and anti-sentimental comedy.
sentimental
comedy:-
The sentimental
comedy developed as a reaction against the immoral comedies of the Restoration
age. These comedies replaced intrigue as and foppish manners with pathetic
heroines distressing situation sincere lovers and honest servants.
This form becomes
popular in 18th century. is related to our emotions
· It
appeals especially to our feeling of sorrow, pity and compassionate sympathy.
· It
reflected contemporary philosophical conception of human as in herent good but
capable of being led astray through bad examples.
· By
an appeal to his noble to his sentiments, a man could be reform and set back on
the path of virtue.
· Richard
Steele was pioneer of sentimental comedy and the best known sentimental comedy
is
"The
Conscious Lover"
In
Contrast 'anti-sentimental' comedy
Anti
- Sentimental Comedy:-
Anti-sentimental
comedy is relation against sentimental comedy. The Pioneer of anti-sentimental
comedy is Oliver Goldsmith. Who criticized the sentimental comedy in his essay
- ' Essay On the theatre or A comparison
between Laughing and sentimental comedy.
Oliver Goldsmith
writes that the true function of a comedy was to give a humorous exhibition of
the follies and vices of men and women and to rectify. them by exciting
laughter. goldsmith opposed sentimental comedy, because in place of laughter
and distressing situation, pathetic lovers, serious heroine and honest
servants.
He argued that
sentimental comedy was more like tragedy. Then a comedy. If comedy was to
trespass upon tragedy where humour will have right to express itself. an two
occasions and with unequal success, goldsmith tried to revive sincere langhter
an stage.
Richard Sheridan
also related against sentimental comedy. he ridiculed the sententious
moralizing of weeping sentimental comedy in his plays 'The Rivals' And
'The critic'
Anti - sentimental
comedy is kind of comedy representing complex and sophisticated code of
behavior current in fashion circles of society where appearance count more then
true moral character. Its plat usually revolves around intrigues of just and
greed the self interested cynicism of the character. Being masked by decorous,
in these two dramatists comedies.
As a result of the
reaction of goldsmith and Sheridan, the comedy of sentimental was driven out,
gone were the pathos and morality, preaching and meddling sentimentality. Their
place was taken by humour and mirth, pleasant dialogues and wit the revival of
true comedy in 18th century were henry fielding oliver goldsmith and Richard
Sheridan
Anti-sentimental
comedy takes us from old form of comedy, comedy of manners, which is also
called generally for anit-sentimental comedy.
Characteristics
of anti-sentimental
Comedy:-
· It
is also called comedy of manner. Anti- sentimental comedy is going to old
forms. it is a low force, situations humour. it is high polished in Restoration
Comedy.
· Wit,
laughter, farce, irony; verbal situation and dramatic - disguise also called
comedy of manners.
· Generally,
it deals with the relations and intrigues of men and women living in
sophisticated upper class society. so, it is called comedy of manners. There is
also violation of social standards and decorum immortality of situation.
· comedy
of humours or anti sentimental comedy is a pure comedy which generate laughter
and not tragic with our emotions. verbal and situational irony Is also
characteristic of anti-sentimental comedy.
· "she
stoops to conquers" is one of the best examples of anti-sentimental comedy
by oliver goldsmith and follow all the characteristics of anti-sentimental
comedy.
"She
Stoops to Conquer" as an Anti-Sentimental comedy :-
We very well Know
that goldsmith is pioneer of anti-sentimental comedy. "she Stoops to
conquer" is second play of goldsmith, this comedy published in 1771. And
other title like 'The mistakes of a
night'
The Play practically
introduces the reign of humours in comedy.
The Entire play
with its fun and humours its intrigues and sparking dialogues, its mischievous
tricks and roguish attempts by Tony Lumpkin is a direct, blow on the
sentimental comedy. A piquant observation, elements of ingenious and new
realism, a welling forth of pleasantry that never dries up, and baths even the
rare moments when emotion could rise all
go to make this charming comedy an unalloyed source of amusement.
Only
Character of Comedy
[1]
Charles Marlow
[2]
George
[3]
Mr. Hardcastle
[4]
Mrs. Hardcastle.
[5]
Mrs. Hardcastle son of hardcastle
[6]
Hardcastle's daughter. Miss hardcastle
[7]
Tony Lumpkin
[8]
Hostings
[9]
Miss Neville
And so many
characters in this comedy.
The principal
characters of this comedy are hardcastle who loves everything that is old; old friends, old time, old
manners, old books, old wine. Mrs.Hardcastle, and miss hardcastle, Their
daughter, Mrs. hardcastle's son by
farmer marriage, Tony Lumpkin, young Marlow are the chief characters.
Tony Lumpkin, a
frequenter of the 'three jolly pigeon's is idle and ignorant, but cunning and
mischievous, and dated on by his mother and young fellows Marlow is the world
one of the most bashful and reserved young fellow in the world except with
barmaids and servant girls. his Charles Marlow has proposed a match between
young Marlow and Miss Hardcastle. And the young man and his friend, Hastings,
accordingly travel down to play the Hardcastle a visit.
Losing their way, they arrive at night at the 'three
jolly pigeons' where Tony Lumpkin directs them to a neighbouring inn, which is
in reality Hardcastle house.
The fun of the
play arises largely from the resulting misunderstanding. Marlow treating
Hardcastle as the landlord of the supposed inn. and making violent love to Miss
Hardcastle whom he takes for one of hiss servants. This contrast with his
bashful attitude when presented to her in real characters. The arrival of sir
Charles Marlow clear up the Misconception and all ends well. Including
subsidiary love affair between Hasting and Miss Neville, Whom Mrs. hardcastle
destines, for Tony Lumpkin. At the end when
truth coming to right, everyone happy, sir, Charles and Hasting laugh
together ever the confusion young Marlow
in. Marlow arrives to apologies and in the discussions over Miss hardcastle
claims he barely talked to her Marlow reveals his truly good characters and after some discussion, every
one agrees to match as per above all are happy and the "Mistakes of a
night" Have been Corrected
All characters are
drawn very well and plat is constructed very well that generate laughter in our
mind
The Confusion and
mentality or the portrait of all characters are very humorous and has many
element of laughter in the play. It is a true form of comedy. We can also
evaluated it. We love its characters because it is like real and we laugh with
them not laugh at them
The play is
charming one in which the rough edges of the world are ground smooth. in which
fouls turn out to be virtues and mistakes to be blessings. Its characters are
particularly delightful. Tony Lumpkin is a genuing child of the soil and is
sold to be a monitor. Tony is loved by the readers of the comedy for his.
pleasant fun and nice jokes. Mr.Hardcastle us another character whom we all
like because he loves everything that is old.
In 'She stoops to
conquer' or 'The Mistake of a night' goldsmith succeds in introducing humour of
the finest type. The plat is well-knitted and the characters have everything of
comedy about theme The old mawkish sentimentality is driven out and the sense
of pathos is sub planted by mirth and delight.
It seen as comedy
of manners, because in that play comedy arises from gap between the
characters attempts to preserve
standards of polite behavior that contracts to their true behavior and set in a
polite society.
'She stoops to
conquer' is also a good satire and force because it is based an multiple
misunderstandings. Like Marlow and Hastings believing Hardcasle's house as an
inn.
Sometimes. 'she
stoops to conquer' is compared with the great dramatist shakespeare's comedies.
there is also unity of time, place and action - the concept also show in
Shakespeare, is also very well described.
The Prologue of
the play gives the conception of comedy of goldsmith. It is also a directsatire
on sentimental comedy. moreover. he explained his ideas about the comic art in
the dedication to Samuel Johnson. In the Play. he has ironically attacked
through the mouth or his character. as miss Hardcastle observes in act 2nd
"Indeed I
have often been surprise how a man of sentiment could ever admire those right
air pleasures where nothing reaches the heart ".
Again Tony Lumpkin
says in the same act:
"I have often
seen her and sister cry over a book for an hours together, and they said they
linked the book the better the more it made them cry"
That way he
attacked, criticized sentimental comedy.
'She
stoops to conquer' by oliver goldsmith has element of anti-sentimentalism.
Goldsmith wanted to criticize sentimental comedy of Richard steel in his
contemporary era so. He wrote 'she stoops to conquers' his seconds play better
than the first, as an example of humours, comedy of manners. anti-sentimental
cimedy.
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Definition of Anti-sentimental comedy and sentimental comedy define very well.'She stoops to conquer' as an anti-sentimental comedy is a very good explain.
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